![chander pahar bengali movie review chander pahar bengali movie review](https://resizing.flixster.com/y8sHphF-1RKslgWC7A1upl_EYlU=/300x300/v2/https://flxt.tmsimg.com/assets/p10407876_i_h6_aa.jpg)
Shankar Ray Choudhuri is a 20-year-old man, recently completed his First Arts graduation and about to take up a job in a jute mill, a prospect he absolutely loathes. Main article: Plot summary of Chander PaharĬhander Pahar is the story of a young Bengali man's adventures in Africa from 1909-1910. It is the first film of the Chander Pahar franchise and was followed by Amazon Obhijaan in 2017. Critics consider it Dev's most memorable and recognizable work. Chander Pahar is the most successful film in Bengali cinema. This is the first Indian film to be extensively shot in South Africa.
![chander pahar bengali movie review chander pahar bengali movie review](http://2.bp.blogspot.com/-PjH1SQVkBzc/UyeD9gPCaKI/AAAAAAAAIcA/YhzXnpFXME0/s1600/chander_pahar_xlg.jpg)
The trailer was released at the Nicco park at 5 pm, on the occasion of Children's Day on 14 November 2013. This is the first collaboration between Dev and Mukherjee, the latter having made only two films before: Uro Chithi and Meghe Dhaka Tara. It features Bengali actor Dev in the lead role as Shankar.
CHANDER PAHAR BENGALI MOVIE REVIEW PROFESSIONAL
A docu-drama on Africa can never be passed off as Chander Pahar, no matter how professional or technically brilliant the film is.Chander Pahar (released as Mountains of the Moon in the United States) is a 2013 Indian Bengali-language action-adventure film based on Chander Pahar by Bengali novelist Bibhutibhushan Bandyopadhyay, directed by Kamaleshwar Mukherjee and produced by Mahendra Soni and Shrikant Mohta under the banner of their production house Shree Venkatesh Films. Some works cannot be translated from one medium to another. One can only pray to prospective film-makers not to even think of making a movie on Aranyak. Bibhutibhushan’s Africa is more beautiful than Kamaleshwar’s Africa.
![chander pahar bengali movie review chander pahar bengali movie review](https://rohitpalit.com/wp-content/uploads/2013/12/chander-pahar-elephant-150x150.jpg)
The very first scene, where he makes a “grand” entry on the screen, looks like he is not running away from an elephant, but running after Koel Mullick in Paglu!Ĭhander Pahar may be the grandest film ever made in Bengali film industry, but it lacked the simplicity, soulfulness and the imagination that a novel written decades ago by Bibhutibhushan had. He speaks English the American way, although it baffles me how a small town boy from a British colony could master that. Dev’s Bangla accent is more 2013 North Kolkata rock-style than 1909 mufassil. Specially when it is a magnum opus like Chander Pahar. Even the lion gave better expressions than him.Īn actor should prepare himself for a role he is supposed to play. Every Bengali has a Shankar in them, but definitely not Dev. And even sadder, the director of the film thought him competent enough to play Shankar. He should never have been in the film business. It is not his fault that directors use his charm to sell unsaleable, meaningless films. It is not his fault that he has good looks, a body to flaunt. But was this film supposed to be a documentary on Africa, with a clown in the lead? The answer is a resounding NO. Soumik Haldar’r cinematography is flawless. He takes Bengali cinema to a new height with breathtaking depiction of Africa. And suddenly, Chander Pahar makes me hate him. He took the art of film-making to a whole new level with Meghe Dhaka Tara. I didn’t quite like Urochithi (the director’s first film). If a product lacks the soul the original creator had infused into it, it is bound to fail. But a common thread of creativity and imagination runs through both of them. Book and film are two different media to communicate ideas. Passionate about films and Bengali literature that he is, i doubt if he could digest the inhuman savagery of a novel that any Bengali kid (well, once upon a time when smartphones were not the order of the day) would grow up with. Watching Chander Pahar on the silver screen, mind bleeding to death, i was thanking God that Ritu Da is dead. “What is a film all about? It is all about capturing fleeting moments” – Rituparno Ghosh had famously told us through one of his characters.